Supercurricular

Monday, 27 January 2025

Media Magazine Conference 2025

On the 24th January 2025, I was fortunate to attend the Media Magazine conference and listen to 6 incredible speakers discuss topics ranging from ‘Fangirls’ to the growth of AI. 

Here are the speakers that attended:

Chris Hogg- The Magic and Challenges of using AI in creative processes. AI can either be perceived positively or negatively. On one hand, people are frightened that it will steal their jobs, but also it can help enhance people in their studies and jobs (for example, an audience member gave a speech- computer showed images of what the person was saying). 

Alison Philips- The Mirror: As an ex-editor of the Mirror, she have tips on how to enter the journalism industry. 

Hannah Ewens- Fan Girls: Hannah discussed her new book, about dismantling the negative stereotypes associated with fangirls and discussing how empowering it can be for women (for example, using the music to explore your sexuality and open up about your mental health).

Harv Frost- the making of his music video with the band: The Last Dinner Party, making music videos as a child.

David Hesmondhalgh and Anamik Saha- the industry of cultural products; they discussed Kendrick Lamar, Barbenheimer and their cultural influence (for example, Barbie being perceived as feminist).

Nina Manzoor- ‘We Are Lady Parts’ and ‘Polite Society’ (a trending Bollywood film about two sisters who participate in karate).

My favourite speaker was Nina Manzoor, as I found her charismatic and comedic energy compelling to listen to; she discussed her journey in making the TV series: ‘We Are Lady Parts’, and how she had to overcome the stereotypes Muslim women face (for example, asked multiple times to write a series on ‘honor killings’).

Hannah Ewen & Harv Frost

Hannah Ewen is currently a Feature Editor at VICE, and writes about youth culture, mental health, music and film for publications that include the Guardian and the Telegraph. She has also written ‘Fangirl’, a book about the extremities of young teenage girls when it comes to supporting an artist- such as camping outside music concerts. From the Beatles to 1Direction, we constantly see girls obsessing over older men; however, Hannah views this as a celebration- rather than something to be ashamed of. It allows girls to go on a “collective journey of self-definition”, and captures the joy and camaraderie of young women. It reflects the zeitgeist, as nowadays music is a tool to openly discuss your sexuality and mental health.

http://hannahrewens.com/books

Harv Frost is a Trans filmmaker and creative that has worked with The Last Dinner Party on their most recent music videos and their 2024 short film. She used to make short music videos for £20 on the local talent, then moving on to be a runner for music videos. Soon she became a PA for a producer on shiny music videos, observing the pros and super star directors. Harv’s concepts are often inspired by nerd culture (sci-fi, comics, and video games). She hopes to redefine genres and push boundaries, being queer and vibrant in a progressing world.

https://m.youtube.com/watch?v=pETz4IMmeDU

Conventions of music videos:

-Mise-en-scene (costumes, props, different settings)

-Performance/concept/narrative based 

-Pans, tracking

-Low angles 

-Multiple narratives 

Industrial context (2):

 The brand: Conde Nast